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winnipegsun.com -
Music - Not tuckered out yet
Unlike the subject of
her most famous song, Tanya Tucker is no faded rose from years
gone by.
And while we'd never
give away a lady's age, suffice it to say she's still decades
younger than some of her country music contemporaries, even
after being a presence in the industry for more than 30 years.
You could be forgiven
for thinking Tucker is older than she is -- her gravelly,
world-weary voice certainly gives that impression, and she's
been singing about love, loss and lust since the early 1970s.
But Tucker, who plays
Wednesday at the Centennial Concert Hall, was only 13 years old
when she recorded signature song Delta Dawn in 1972, paving the
way for later Lolitas like Leann Rimes and Britney Spears and
establishing herself as a force to be reckoned with in the
process.
"My daddy coached me
a lot," Tucker tells the Sun in her syrupy Southern drawl. "He
always said, 'You got two things against you -- One is you're a
girl ... but you're also a young girl, so you're going to have
to put twice as much feeling into it as anyone else.' He always
said to just put it in there the same way Hank Williams put it
in, so even Woodbury soap won't wash it off."
To say Tucker was an
early bloomer would be a bit of an understatement. She began
taking saxophone lessons at the age of six, picked up singing
lessons two years later and, by the age of 12, had caught the
attention of Billy Sherrill, then-head of A&R at CBS Records.
It was Sherrill who
helped Tucker cut Delta Dawn, though he'd initially planned for
her to record Donna Fargo's The Happiest Girl In the Whole USA.
Luckily, someone else in the studio had caught Bette Midler
singing Delta Dawn on The Tonight Show a night earlier and the
rest, as they say, is history.
"I said, 'That's it.
That's my song,'" Tucker recalls. "Of course, at the time, they
didn't want anyone to know my age ... so they tried to keep that
a secret."
Keeping the secret
proved impossible, however, and a minor furor was raised over
the subject matter of some of Tucker's songs -- particularly
David Allen Coe's Would You Lay With Me (In a Field Of Stone),
which was released when she was 15.
But the controversy
didn't stop her from racking up a series of Top Ten hits
throughout the 1970s, among them What's Your Mama's Name, Blood
Red and Goin' Down, and San Antonio Stroll.
"I was singing songs
I had never experienced," Tucker says. "And then, when I'd
experience those things later in my life, I'd say, 'OK -- so
that's what it's like."
Subsequent decades
saw Tucker dealing with her share of tears-in-the-beer
tribulations -- a stormy May-December romance with Glen
Campbell, sagging record sales and a battle with booze and drugs
that saw her serving a stint at the Betty Ford Clinic.
But by the early
1990s she'd bounced back, scoring a Country Music Award for
female vocalist of the year in 1991 and releasing a series of
increasingly personal albums -- the latest of which, last year's
Live At Billy Bob's, features more "lived-in" versions of the
classics Tucker belted out as a teen.
These days, she and
her family are the stars of TLC's reality show Tuckerville,
which Tanya laughingly describes as a country-music spin on the
Osbornes, "only with a lot less bleeping."
And while she's no
stranger to fame and fortune (she counts local jet-setter Peter
Nygard among her friends, and hopes to hook up with him while in
Winnipeg "so he can give me a new outfit!"), she's just as
committed to keeping her feet on the ground.
"I still go shopping
at Kroeger's and Wal-Mart and I mix and mingle with people who
aren't in the music business every day," she says. "It's when
you remove yourself from the people that you start forgetting
what it is they need to hear."
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Tanya Tucker - March 29
All grown up but still a party girl
She's not the same preteen nymphet who courted
controversy and country music stardom all those decades
ago but Tanya Tucker has still got the goods.
During her
show at the Centennial Concert Hall March 29, Tucker
proved she's still the same party girl who made
headlines as a young star, only now living comfortably
as a middle-aged mother of three.
Decked in
black spandex tights and a sequined top with sheer
sleeves, Tucker took to the stage to the strains of the
theme song from her TV show Tuckerville.
She quickly
broke into a spirited version of Some Kind of Trouble,
employing the gravelly vocal rasp that's been her
trademark since the start (but struggling more than a
few times to be heard; the possible result of a recent
bout of bronchitis).
And sure,
Tucker's dance moves were dated (lots of jazz hands,
pointed toes, and sultry looks over her shoulder), but
there's something oddly empowering about watching a
woman-of-a-certain-age do exactly what's not expected of
her, especially when she's having as much fun as Tucker
appeared to be.
The singer's
strongest material has always been her earliest, so it's
no surprise the high point of the evening was a folksy
run-through of hits from the mid-1970s.
Joining her
band on a set of high stools (but not before cheekily
asking "Can I sit in these pants?"), Tucker ripped
through four Gothic-tinged favorites -- The Jamestown
Ferry; What's Your Mamma's Name, Child?; Blood Red and
Goin' Down; and Would You Lay With Me (In a Field of
Stone).
She turned
the show into a true family affair somewhere past the
midway point, first dedicating the ballad Ridin'
Rainbows to her three children, then hauling them
onstage to meet old friend Peter Nygard, who was sitting
in the front row.
Tucker even
handed the microphone over to eldest daughter Presley
for one number but proved a true stage mom by hovering
about three feet away from the teen as she belted out
Whenever You Come Around.
And the kids
had been put to bed by the time Tanya brought the crowd
to its feet with her closing number (and biggest hit),
the 1972 gem Delta Dawn, which after all these years
fits her as snugly as a pair of those spandex pants.
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